ODD JOBS is a performance-based work that Vancouver artist Lexie Owen has created using odd job requests to engage directly with audiences through maintenance labour. The Evelyn Exhibition is inspired by a job request from a local resident of the Burrardview neighbourhood, where Owen currently works as a Fieldhouse Residency Artist. In order to fulfill the job request, Owen has invited Vancouver artists to create artworks in response to the diverse practice of performance art legend Evelyn Roth. The exhibition will take place in and around the SiteFactory bus, which will be parked at the Burrardview Park Fieldhouse (545 N Slocan St) on Saturday July 28th, from 1-4pm.
Inside Out is a collaborative artwork by M.E. Sparks and Matthis Grunsky that reconsiders the trope of the artist’s studio, its depiction throughout art history, and its relevance amidst a “post-studio” condition currently dictated by prohibitive rental costs. Working in response to the mobile workspace of SiteFactory, the artists approach their shared experience of the studio as an unfixed, tenuous site of productivity and inactivity, creation and destruction, isolation and connection.
MOBILE BARNACLE CITY LIVE/WORK STUDIO is a site-specific installation created in the SiteFactory bus by Vancouver Interdisciplinary artist Laiwan, as part of Emily Carr University's LivingLabs Ten Different Things project series. Mobile Barnacle City will take place at three locations in the vicinity of Keefer and Columbia Streets in Chinatown from April 15th- 29th, 2018.
@ 750 Hornby Street
Vancouver Art Gallery Hornby Street entrance
Saturday October 14th, 12pm-6pm
& Sunday October 15th. 12pm-6pm
Co-presented by the Vancouver Art Book Fair, SiteFactory is hosting the Puddle Popper Collective's installation and book publication launch, Plintor Drax Lounge.
@ VIVO Media Arts Centre
2625 Kaslo St. Vancouver BC
Wednesday to Saturday November 16th to 19th, 12pm to 5pm
Artist Talk on Saturday November 19th at 3pm
During the years 1996 to 1998, the Renegade Library developed as both a social practice, and a collection of over 500 artist books. Originating with a mail art call for “collaborative mail art in book form,” this project of Lois Klassen in conjunction with the Art Gallery of Southwestern Manitoba, brought together over 700 artists from some 40 countries. Together, their correspondences produced a delightful collection of zines, assemblings, multiples, add & pass, miniatures, visual poetry, small presses, and much more. Renegade Library is an infectiously inspiring artifact of a 90s mail art and artist book experimentation. Today the Renegade Library occupies 20 boxes, which are individually being acquired by public artist book collections. The Christa Dahl Media Library & Archive has acquired box #3. As the distribution of the boxes continues Renegade Library has taken up residence in collections including Art Gallery of Southwestern Manitoba (Brandon), Also As Well Too (Winnipeg), Artexte (Montreal), Centro de Desarollo de las Artes Visuales (Havana), Institute of American Indian Arts (Santa Fe), Bautista Kabistan Esquivel Collective (San Salvador), and Emily Carr University Library (Vancouver).
Join us for an exhibition of The Renegade Library in the SiteFactory bus, which will be parked at VIVO Media Arts Centre.
LOIS KLASSEN is a Vancouver-based artist and writer engaged in social practice. Her on-going projects Comforter Art Action and Slofemists (with Lori Weidenhammer) combine collective textile actions with public dialogue about human displacement and feminisms. Her texts have explored the impact of performance art on street audiences, the relevance of art coming out of "nowhere," and declarations of current feminist practices. Her work has been hosted in Fillip Magazine, Santa Fe Art Institute, Banff New Media Institute, Plug In ICA and MAWA in Winnipeg, Public Journal, SOMA Summer in Mexico City, University of Salford (UK), Glenbow Museum, Western Front, Emily Carr University, Art Gallery of Southwestern Manitoba, Border Crossings, and more. She has worked as an art educator, a research ethics coordinator, and an Occupational Therapist. Her current PhD research (Queen’s University) concerns ethical formations in socially situated research-creation projects. Klassen received a Master of Applied Art in Visual Art from Emily Carr University in 2011.
VIVO MEDIA ARTS CENTRE
The Satellite Video Exchange Society (now VIVO, incorporated 1973) was the first video exchange library, and one of the earliest international video centres and Canadian artist-run centres. Its founding mandate was to facilitate international information exchange through a public video library and, by the 1980s, to provide access to video equipment, basic workshops, and publish a magazine, Video Guide, distributed internationally.
VIVO’s mandate is to directly support artists and independent community-based producers to develop, exchange, and disseminate their skills in a supportive environment through accessible services and programs. Their vision is a robust, diverse, and vibrant media arts sector: a catalyst for critical and innovative engagement with the material forms and cultural meanings of media and technology. VIVO’s programs offer a broad range of services and opportunities to artists and the public.
An evening of artist talks with Vancouver artists